Tag Archives: classic

Don’t Look Now (1973)

26 Oct

This shot is the climax of the amazing opening sequence. It's beautifully filmed, extremely atmospheric and a masterpiece from an editing standpoint.

Don’t Look Now” may be the most adult horror film I’ve ever seen. By that, I don’t mean it’s a film full of nudity (although there is some) or cursing (what foul language there is is quite mild) or over-the-top violence. Rather, it’s a horror film that creates its scares through emotions uncommon to most young people — true grief, despair, the hope of an end to such emotions. It isn’t the most heart-pounding horror film I’ve ever seen, but it’s certainly the most heart-breaking. Continue reading

The Innocents (1961)

20 Oct

 

One of the creepiest scenes in this film has relatively little to do with the plot. It's just another in a long string of relentlessly odd shots that serve to completely unnerve the viewer.

Both visually stunning and relentlessly creepy, “The Innocents” proves a film needn’t be gory to be scary. This is a movie of which one can honestly say, “They don’t make ’em like that anymore,” and know it’s too bad they don’t. Modern horror movies could not help but benefit from the type of intensely focused plot and filmmaking artistry that set this movie apart as a true classic. Continue reading

The Searchers (1956)

7 Oct

This one scene encapsulates the entire movie in such a bold way that it's breathtaking.

How often does the final scene in a movie really have impact anymore? Sure you’ll get some powerful endings from time to time, but more often than not modern films feel like they settle for winding down rather than going for it and making a true statement with an iconic, meaningful image. “The Searchers” goes for broke in its final scene and succeeds so well it’s breathtaking. Continue reading

Cabaret (1972)

16 Sep

It's about decadence ... and Nazis. But mostly decadence.

It’s always kind of difficult for me when I watch a movie that I know is a beloved classic and then I don’t love it. I start thinking “What’s wrong with me? What am I not getting about this movie?” In the case of “Cabaret,” I believe it hasn’t aged well, but I’m somewhat at a loss for why, exactly, the pieces just don’t come together for me. Continue reading

Harold and Maude (1971)

29 Aug

For a long time, I avoided “Harold and Maude.” It’s habitually described as a “cult comedy,” occasionally as the “ultimate” cult comedy, and my experience with cult comedies has been very hot and cold. And so, despite the critical acclaim and the recommendations from people I know who love it, I avoided it — mostly from fear that it wouldn’t live up to its reputation. Now I know the truth: To dismiss “Harold and Maude” as a mere cult film by labeling it as such does a disservice to what is surely one of the more subversive and yet most hopeful and genuine films of its era. Continue reading